Post by grayn on Oct 20, 2020 17:43:06 GMT
I went over to Frets Guitar Centre, in Cleveleys, this morning, to check out some Musicman Stingray RS's.
I'm not really sure what the RS stands for, possibly Re-issue Stingray?
Anyway, when Musicman Guitars started, back in the 70s, the Stingray guitar and bass were some of the first designs to be produced.
I think these were with the help of Leo Fender.
Although the guitar had some fans, it was the bass that really took off and became one of the iconic basses of rock.
In 2018, Ernie Ball Musicman brought the Stingray back, with some modernisation.
But what appealed to me about the model, is that it is a no nonsense rock guitar.
2 (alnico 5) humbuckers, one tone, one volume and a 3-way pickup selector.
No coil tapping or reverse phase switching, although the 21st century Stingray does have a modern tremolo and locking tuners.
The guitar's aesthetic is asymetrical or offset, with a retro, chrome control plate and a slab body.
It's business like, built for a purpose, yet it still has some charm and is just a little bit different.
There are a large number of colour options for the Stingray.
They had 3 in, at Frets.
Vintage Torquoise, Buttercream and a BFR (Ball Family Reserve) model, with a natural (gloss) mahogany body and gold hardware.
I played all 3 and liked every one.
EBMM guitars have superb necks (this'll be my 6th) and all 3 Stingrays played beautifully.
For looks, the roasted figured maple on the vintage turquoise's neck and headstock looked the nicest.
All 3 had the same, great pickups, that had a raw yet responsive and nuanced quality.
That may sound contadictory but that's how they seem to me.
The EBMM trem system is smooth, as always and my favourite tuners, Schaller locking, do their job, just how you'd want.
For feel and tone I'd have been happy to have brought home any one of the 3.
Firstly though, I discounted the BFR model.
It was only £350 more and it is by far the most glamourous of the 3.
But that extra bling for me, didn't go with the Stingray's overall aesthetic of no nonsense, rock machine.
Of course, the Stingray RS could be used in many different styles of music but I felt the BFR was just too posh looking for me.
I loved both the Buttercream and Vintage Torquoise finishes.
The Buttercream having a lovely, classic, retro look to it.
It was probably the gorgeous neck and head, on the Vintage Torquoise, that swung it for me.
I really like it's subtle, metallic flake finish, too.
Now home, I'm enjoying running through some somgs and riffs and finding that this new Stingray sounds really nice, clean and dirty.
I'm not really sure what the RS stands for, possibly Re-issue Stingray?
Anyway, when Musicman Guitars started, back in the 70s, the Stingray guitar and bass were some of the first designs to be produced.
I think these were with the help of Leo Fender.
Although the guitar had some fans, it was the bass that really took off and became one of the iconic basses of rock.
In 2018, Ernie Ball Musicman brought the Stingray back, with some modernisation.
But what appealed to me about the model, is that it is a no nonsense rock guitar.
2 (alnico 5) humbuckers, one tone, one volume and a 3-way pickup selector.
No coil tapping or reverse phase switching, although the 21st century Stingray does have a modern tremolo and locking tuners.
The guitar's aesthetic is asymetrical or offset, with a retro, chrome control plate and a slab body.
It's business like, built for a purpose, yet it still has some charm and is just a little bit different.
There are a large number of colour options for the Stingray.
They had 3 in, at Frets.
Vintage Torquoise, Buttercream and a BFR (Ball Family Reserve) model, with a natural (gloss) mahogany body and gold hardware.
I played all 3 and liked every one.
EBMM guitars have superb necks (this'll be my 6th) and all 3 Stingrays played beautifully.
For looks, the roasted figured maple on the vintage turquoise's neck and headstock looked the nicest.
All 3 had the same, great pickups, that had a raw yet responsive and nuanced quality.
That may sound contadictory but that's how they seem to me.
The EBMM trem system is smooth, as always and my favourite tuners, Schaller locking, do their job, just how you'd want.
For feel and tone I'd have been happy to have brought home any one of the 3.
Firstly though, I discounted the BFR model.
It was only £350 more and it is by far the most glamourous of the 3.
But that extra bling for me, didn't go with the Stingray's overall aesthetic of no nonsense, rock machine.
Of course, the Stingray RS could be used in many different styles of music but I felt the BFR was just too posh looking for me.
I loved both the Buttercream and Vintage Torquoise finishes.
The Buttercream having a lovely, classic, retro look to it.
It was probably the gorgeous neck and head, on the Vintage Torquoise, that swung it for me.
I really like it's subtle, metallic flake finish, too.
Now home, I'm enjoying running through some somgs and riffs and finding that this new Stingray sounds really nice, clean and dirty.