Post by grayn on Jan 4, 2024 12:13:03 GMT
I popped over to Reidys (Blackburn), yesterday. After a look round their large showroom I decided to play two Cort electrics. A KX500 and a G300 Glam. I picked up the G300 Glam first. Now I'd played the G300 Pro a few months back and was surprised at how different the Glam felt. Different in a good way. The Pro is an excellent guitar but the Glam immediately felt more solid, with a much nicer, to my hands, profile on the neck. The neck is African mahogany, which is Ergo V, Graphite Bar Reinforced, with an ebony fretboard. The Pro's are both roasted maple. The Glam's body is also mahogany, with a 1/4 maple cap. The Pro's is basswood, with the same cap. Both models have Graph Tech Black TUSQ nuts, 24 Stainless Steel Frets, Luminlay Side Dots, Staggered Locking Tuners, excellent Cort CFA-III Tremolos and Seymour Duncan SH2N & TB4 Humbucker Sets.
The G300 Glam is very well specced then, and genuinely has a real boutique guitar look and feel to it. I have owned a Tom Anderson, a Suhr and a BFR Musicman, so I do know what these guitars are about. And for a very small amount of cash, the G300 Glam comes pretty close. And to my thoughts, the Glam is definitely a step up on the Pro. It came well set up, with a lowish action. Though it does have 9s on it, which for me, need to be changed to 10s, or 11s if down tuned.
The KX500 is very much a "metal" guitar. It's design, woods and Fishman Fluence pickups will definitely impress you, particularly if you love to chug and/or widdle. It has very low but solid action, and a flat radius to the fingerboard. The other thing that comes to your notice, after the initial balls out sound and feel of the KX500, is that is in no way close to the G300 Glam, for build and finish quality. It has a far more basic, workmanlike look and design.
So, as you may have worked out, the Cort G300 Glam came home with me. It's overall quality, tasty Duncan pickups and very smooth, traditional floating trem, really do make life easier for you. I guess Cort chose the Glam suffix for the Polar Ice Metallic Burst finish to the front of the body and headstock.
Yes, it is a tad glittery but only from close up and this "Glam" finish is actually really nice.
The G300 Glam is very well specced then, and genuinely has a real boutique guitar look and feel to it. I have owned a Tom Anderson, a Suhr and a BFR Musicman, so I do know what these guitars are about. And for a very small amount of cash, the G300 Glam comes pretty close. And to my thoughts, the Glam is definitely a step up on the Pro. It came well set up, with a lowish action. Though it does have 9s on it, which for me, need to be changed to 10s, or 11s if down tuned.
The KX500 is very much a "metal" guitar. It's design, woods and Fishman Fluence pickups will definitely impress you, particularly if you love to chug and/or widdle. It has very low but solid action, and a flat radius to the fingerboard. The other thing that comes to your notice, after the initial balls out sound and feel of the KX500, is that is in no way close to the G300 Glam, for build and finish quality. It has a far more basic, workmanlike look and design.
So, as you may have worked out, the Cort G300 Glam came home with me. It's overall quality, tasty Duncan pickups and very smooth, traditional floating trem, really do make life easier for you. I guess Cort chose the Glam suffix for the Polar Ice Metallic Burst finish to the front of the body and headstock.
Yes, it is a tad glittery but only from close up and this "Glam" finish is actually really nice.