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Post by vinman on May 20, 2024 11:15:13 GMT
I'd always felt the Mandolin wouldn't really cut the mustard when it came to playing at a Bal Folk. My observations and from what I'd been told* was they were a bit too quiet and shy. Well, I'm pleased to say "The Loar" 600 F style certainly did cut the mustard and managed to compete, with two melodeons, two larger recorders, a flute and a trumpet of all things. I only used it for simple rhythm and not melody as it would have been lost in the general row of the other instruments, but it held it's own with assertive strums. Fortuneatly, most of the tunes were in G and Em with one venture into D, which suites my limited chord ability very well. This was with the house band. How well a mandolin would compete with pipes and 'gurdies is anybodies guess. Not well probably. A little later on we played a decent set in the break, best beloved with melodeons and myself with me small piano accordion. No mandolin this time, when I'm up to speed I'll start to use my guitar. Generally a good afternoon, but a little low on numbers. The main turn was "Shivelight" from Oxford and very good they were too. www.lesbatons.org ! * I'd been told that mandolins are a bit quiet and weren't really up to it.. Clearly more BS from some in the Bal Folk world.
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dogwheel
Busker
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My main instrument is: Doodson by Phil-the-Luthier
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Post by dogwheel on May 20, 2024 11:50:14 GMT
That's an interesting post, in general terms, whereabouts are you? Quiet! Mandolins and Banjos are part of the reason people like C.F.Martin started building Dreadnaughts. Good luck and keep on enjoying the live music.
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Post by vinman on May 20, 2024 18:24:28 GMT
I'm down on the southcoast between Brighton and Worthing. We've been involved with French and Breton dance music for sometime, about 30 years or so. As far as I'm concerned very little beats dancing a spirited bourree or losing yourself in a Gavotte de Montagne
I think it was the first time I've felt confident enough to "go for it" with the mandolin, I twigged about noisy banjo's and dreadnaughts but not made the connection to mandolins... all the best Ian S
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juliant
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Post by juliant on May 20, 2024 19:20:47 GMT
If you really want to go for it, consider a resonator mandolin. I had one once, and the cone and steel body made it louder and more piercing than just about anything I've ever heard. You can get wood bodied ones as well, which might be slightly more mellow, but one of those would, I reckon, take on a hurdy-gurdy with no trouble. It didn't stay in the house very long!
(I was going to mention mandolin banjos, but one does still have *some* standards)
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Post by vinman on May 21, 2024 8:01:47 GMT
Now there's a thought! I can already hear Best Beloveds eye balls a rolling in their sockets!
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Post by Matt Milton on May 21, 2024 9:29:25 GMT
I'm down on the southcoast between Brighton and Worthing. We've been involved with French and Breton dance music for sometime, about 30 years or so. As far as I'm concerned very little beats dancing a spirited bourree or losing yourself in a Gavotte de Montagne I think it was the first time I've felt confident enough to "go for it" with the mandolin, I twigged about noisy banjo's and dreadnaughts but not made the connection to mandolins... all the best Ian S
I've often wanted to learn some French tunes (I play mostly English tunes). Are there any tunebooks of French tunes available online? Or any recommendations of physical tunebooks you could suggest? I have a fondness for older, more modal sounding tunes...
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ocarolan
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Post by ocarolan on May 21, 2024 15:25:40 GMT
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