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Post by Mike Floorstand on Jul 17, 2013 18:00:52 GMT
If the shop's business model does not normally include rentals, it would be difficult for the manager to agree to this on an ad hoc basis. Plus it looks like you got off on the wrong foot with the cheeky question about the 30-day satisfaction guarantee policy - this may be the wrong economic climate to joke with shopkeepers about that sort of thing!
Did you visit any other guitar shops in Manhattan, am hoping to go there myself later this year would be interested to know any others to check out (or avoid!)
Cheers
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Post by Mike Floorstand on Jul 14, 2013 8:34:56 GMT
That's a great sound Dave! Exactly how I like to hear an OM - not nasal like a bouzouki, not jangly like a 12-string guitar, but a full and "growling" sound of its own. Excellent - & congratulations to Keith!
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Post by Mike Floorstand on Jul 12, 2013 22:26:06 GMT
Mmmm...oysters!
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Post by Mike Floorstand on Jul 12, 2013 22:17:14 GMT
I'd never really thought about it but I'd always assumed the NY suffix stood for New York...is it nylon then? Bit of googling suggests they were designed for fingerpicking in the 60s folk boom and could take either steel or nylon.
I'd get some quotes from repairmen/luthiers - I'm sure you could find some who'd love to work on this. What's the cost of the cheapest solid spruce/mahogany parlour guitar? If the repair cost is in the same ballpark I'd get it repaired.
Cheers
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Post by Mike Floorstand on Jul 9, 2013 21:47:54 GMT
Interesting comment about the "guitar-like" voice - that's how I felt too, but wasn't sure if it was just psychological ("this is a bit bigger than other mandolins, I expect it will sound more like a guitar").
The shape, size and construction - including floating bridge - are all very unlike a guitar's construction too ... the plot thickens!
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Post by Mike Floorstand on Jul 6, 2013 21:44:11 GMT
You can build a custom set at Eagle Music for a lot less than 9.99. Though not the exact gauges you mention, maybe they had to be custom made?
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Post by Mike Floorstand on Jul 1, 2013 21:04:16 GMT
Upgrade the classical, sell the old classical and put the money in your mando/banjo fund for if and when you get bored of learning that and the uke.
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Post by Mike Floorstand on Jul 1, 2013 18:51:38 GMT
I'll give £2.56 if you do the back, sack and crack? Yours or Keith's? BOGOF?
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Post by Mike Floorstand on Jul 1, 2013 18:36:53 GMT
That is 3 top headline acts - I confess I haven't heard of any of the other performers but finding new things is all part of the fun of a festival.
Too far for me to go - am hoping to get to Towersey festival that weekend though (opened by the Blockheads this year, with plenty of more traditional fare to follow!)
cheers
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Post by Mike Floorstand on Jun 28, 2013 22:32:57 GMT
Lovely composition Keith, sounds like the guitar comes with its own reverb so no need to add any effects! Not sure I understand the new roadtrip concept - is the idea we all just send a guitar to Keith?
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Post by Mike Floorstand on Jun 28, 2013 22:14:55 GMT
Doesn't appeal to me ... though I might be tempted if they did one with fan frets and a re-entrant tunnelled sixth course!
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Post by Mike Floorstand on Jun 17, 2013 23:12:44 GMT
I think the Martin 000-18 "Martin Carthy Signature" model was shipped in standard tuning with lights...that would be a marketing decision by the company and quite possibly the right one as if they had used Carthy's strings they would probably sell a lot fewer (and possibly cause damage to a few that got put in standard!)
I wouldn't necessarily blame the store manager - I personally would not know what to look for in say a Jimmy Page or Robert Johnson or countless other signature models, if indeed there is such a thing.
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Post by Mike Floorstand on Jun 17, 2013 22:58:22 GMT
I'd love to be able to play Uilleann pipes or smallpipes or something like that. To the mandolin players - i do fancy one in the near.future, prob before banjo? Is it a real bugger to get your head round though ( no wise cracks Leo ) i might even try teach myself pretty might try lessons as my guitar teacher does teach this aswell i believe. Haven't been playing mandolin long, and sort of gravitated to it from octave mandolin and tenor banjo. For me the tuning (GDAE) on all these instruments for some reason helped me make a bit more sense of how music "works" - so I think probably no problem getting your head round it! I think it is interesting though how apparently similar fretted instruments still require a fair amount of effort to develop technique - it's tempting to assume that say because you can flatpick on guitar fairly well, you can transfer the technique to tenor banjo or mandolin - in fact there is still quite a bit to learn. cheers
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Post by Mike Floorstand on Jun 12, 2013 20:17:25 GMT
I'm enjoying this thread Dave! Noticed you cut the soundport before moulding the bass side on this, whereas on Colin's Samhain build on your website you cut it afterwards, is there a technical reason for that are just trying different approaches?
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Post by Mike Floorstand on Jun 8, 2013 23:31:13 GMT
Here's a review and some pics of my new gigbag, arrived this week from my "specialist Belgian supplier" (keymusic.com): The bag is made by Ritter, a Swiss company apparently although the label inside the bag says made in the People's Republic of China. I guess it's designed in Euope and manufactured in the far east. It's billed as a mandola bag, the Ritter RCG400-MO, and I bought it for it's specific dimensions ... not for a mandola though (all will be revealed shortly!). It seems fairly well-designed, with tough canvass and smoothly operating zips. On the top are three pockets, pictured here: This picture makes the pockets look more bulky and/or spacious than they actually are, although they will provide room for your bits and pieces - tuners, capos, plectrums, spare strings and stringwinders etc. The largest pocket is not quite big enough for a typical sheet music book or magazine etc. though - maybe the US Acoustic Magazine which has a smaller format than most, if you don't mind the edges being bent. There is no pocket on the neck which would have been nice. Here's a pic of the back: The rucksack-style carriers look quite tough and one of them appears to have a holder for an MP3 Player, with a hole through which the earplug headphones can be pushed! The arms look quite strong and well-stitched onto the bag. So, I hear you ask, what do I intend to carry in this bag? This is what: It's a 20" scale nylon-strung open-back tenor banjo which I found on ebay recently. The short scale length and lack of resonator means a normal banjo gigbag would be oversized - usually about a foot too long. But this banjo is not quite small enough to fit in a mandolin gigbag, so I started looking for something inbetween. I researched this for some time - it is surprising how hard it is to find the internal dimensions of "folk" instrument gigbags online. At one point I was looking at baritone uke gigbags which have a similar scale length until I realised the width would not accommodate the banjo pot. There is a Warwick Rockbag for mandola but even that would have 5-6" too much space at the top of the neck. Well the Ritter seemed the best fit length and width-wise. You can see in the photo a little "seatbelt" to keep the neck centred inside the bag - Warwick Rockbags have these too. In this case the banjo neck is very narrow so the velcro seatbelt doesn't really hold it secure, but better than nothing. The interior is lined with what seems to be a nylon-like material, emblazoned with the Ritter logo. The Warwick Rockbag I have for my mandolin has a plush lining, and the padding is a bit thicker, but the Ritter seems tough enough (and is about 15euros cheaper I think so can't complain). The top is lined with canvass which makes sense as weaker material can easily get ripped by the cut end of strings on the headstock area. That's it - nice gigbag, fairly well-designed and well-made, and an almost perfect fit for my banjo. I'm happy! One more picture/review before I sign off: This shows the new armrest I bought for the banjo, from Eagle Music. It's sold as the "Leader Banjo Co Vega-style 'Old Time' Armrest - Nickel Plated" and as you can see has adjustable height by virtue of the threaded legs which attach to the banjo brackets. I think this would fit most banjos - mine is an unusual size (10&10/16ths head). I dare say there may be more comfortable armrests on the market, but I prefer the clean lines and simplicity of this one.
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